Chioma Ebinama, Don’t Copy an Ideal, Copy Yourself, 2022, Digital print with shellac ink, coloured pencil on Greek cotton, 140 x 90 cm
Amalia Vekri, The Prettiest, 2017, Found object, air-drying clay, spray paint, 83 x 37 x 35 cm
Mathilde Rosier, Blind Swim 20, 2018, Oil on canvas, 210 x 120 cm
Mathilde Rosier, Blind Swim 21, 2018, Oil on canvas, 210 x 120 cm
Claudio Coltorti, Senza Titolo, 2022, Oil on canvas, 30 x 30 cm
Angelo Plessas, The Hand of the Noosphere (Pleasure), 2020, Hand sewn quilt, 185 x 80 cm
Angelo Plessas, The Hand of the Noosphere (Unconscious), 2019, Hand sewn quilt, 194 x 104 cm
Olga Migliaressi-Phoca, Alcohol, 2022, NEON light installation, 53 x 150 cm
Olga Migliaressi-Phoca, Alcohol, 2022, NEON light installation, 53 x 150 cm
Claudio Coltorti, Dialogo 5, 2022, Oil on canvas, 100 x 80 cm
Andreas Angelidakis, Screenwalker (neon), 2018, Hand finished 3D print, 38 x 20 x 20 cm
Panayiotis Loukas, Burning from the Inside, 2007, Oil on canvas, 220 x 180 cm
Panayiotis Loukas, Burning from the Inside, 2007, Oil on canvas, 220 x 180 cm
Amalia Vekri, Hypnotic Suggestions Fall on Deaf Ears, 2022, Oil, acrylic gouache on canvas, 183 x 120 cm
Amalia Vekri, Hypnotic Suggestions Fall on Deaf Ears, 2022, Oil, acrylic gouache on canvas, 183 x 120 cm
Andreas Angelidakis, Moonlight, 2011, Video
Olga Migliaressi-Phoca, Thin Line, 2019, LED light installation, 220 x 55 x 8 cm
The Lathe of Heaven
29 September – 5 November
Andreas Angelidakis, Claudio Coltorti, Chioma Ebinama, Panayiotis Loukas, Olga Migliaressi-Phoca, Angelo Plessas, Mathilde Rosier, Amalia Vekri
Curated by Amalia Vekri
‘Cold, cold. Hard. Bright. Too bright. Sunrise in the window through shift and flicker of trees. Over the bed. The floor trembled. The hills muttered and dreamed of falling in the sea, and over the hills, faint and horrible, the sirens of distant towns howled, howled, howled.
She sat up. The wolves howled for the world’s end.
Sunrise poured in through the single window, hiding all that lay under its dazzling slant. She felt through excess of light and found the dreamer sprawled on his face, still sleeping. “George! Wake up! Oh, George, please wake up! Something is wrong!”
He woke. He smiled at her, waking.
“Something is wrong – the sirens – what is it?”
Still almost in his dream, he said without emotion, “They’ve landed.”
For he had done just what she told him to do. She had told him to dream that the Aliens were no longer on the Moon.’
The Lathe of Heaven, Ursula K. Le Guin, 1971
Chioma Ebinama, Don’t Copy an Ideal, Copy Yourself, 2022, Digital print with shellac ink, coloured pencil on Greek cotton, 140 x 90 cm
Amalia Vekri, The Prettiest, 2017, Found object, air-drying clay, spray paint, 83 x 37 x 35 cm
Mathilde Rosier, Blind Swim 20, 2018, Oil on canvas, 210 x 120 cm
Mathilde Rosier, Blind Swim 21, 2018, Oil on canvas, 210 x 120 cm
Claudio Coltorti, Senza Titolo, 2022, Oil on canvas, 30 x 30 cm
Angelo Plessas, The Hand of the Noosphere (Pleasure), 2020, Hand sewn quilt, 185 x 80 cm
Angelo Plessas, The Hand of the Noosphere (Unconscious), 2019, Hand sewn quilt, 194 x 104 cm
Olga Migliaressi-Phoca, Alcohol, 2022, NEON light installation, 53 x 150 cm
Olga Migliaressi-Phoca, Alcohol, 2022, NEON light installation, 53 x 150 cm
Claudio Coltorti, Dialogo 5, 2022, Oil on canvas, 100 x 80 cm
Andreas Angelidakis, Screenwalker (neon), 2018, Hand finished 3D print, 38 x 20 x 20 cm
Panayiotis Loukas, Burning from the Inside, 2007, Oil on canvas, 220 x 180 cm
Panayiotis Loukas, Burning from the Inside, 2007, Oil on canvas, 220 x 180 cm
Amalia Vekri, Hypnotic Suggestions Fall on Deaf Ears, 2022, Oil, acrylic gouache on canvas, 183 x 120 cm
Amalia Vekri, Hypnotic Suggestions Fall on Deaf Ears, 2022, Oil, acrylic gouache on canvas, 183 x 120 cm
Andreas Angelidakis, Moonlight, 2011, Video
Olga Migliaressi-Phoca, Thin Line, 2019, LED light installation, 220 x 55 x 8 cm
The Lathe of Heaven
29 September – 5 November
Andreas Angelidakis, Claudio Coltorti, Chioma Ebinama, Panayiotis Loukas, Olga Migliaressi-Phoca, Angelo Plessas, Mathilde Rosier, Amalia Vekri
Curated by Amalia Vekri
‘Cold, cold. Hard. Bright. Too bright. Sunrise in the window through shift and flicker of trees. Over the bed. The floor trembled. The hills muttered and dreamed of falling in the sea, and over the hills, faint and horrible, the sirens of distant towns howled, howled, howled.
She sat up. The wolves howled for the world’s end.
Sunrise poured in through the single window, hiding all that lay under its dazzling slant. She felt through excess of light and found the dreamer sprawled on his face, still sleeping. “George! Wake up! Oh, George, please wake up! Something is wrong!”
He woke. He smiled at her, waking.
“Something is wrong – the sirens – what is it?”
Still almost in his dream, he said without emotion, “They’ve landed.”
For he had done just what she told him to do. She had told him to dream that the Aliens were no longer on the Moon.’
The Lathe of Heaven, Ursula K. Le Guin, 1971